{"id":4782,"date":"2009-09-23T13:24:56","date_gmt":"2009-09-23T11:24:56","guid":{"rendered":"http:\/\/www.bewegteflaeche.de\/?p=4782"},"modified":"2009-09-23T13:24:56","modified_gmt":"2009-09-23T11:24:56","slug":"kunsthistoriker-hypnose-durch-ms-paint-blingbling","status":"publish","type":"post","link":"http:\/\/www.bewegteflaeche.de\/?p=4782","title":{"rendered":"Kunsthistoriker-Hypnose durch MS-Paint blingbling"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" title=\"http:\/\/tommoody.us\/images\/OptiDiscs_large5.GIF\" src=\"http:\/\/tommoody.us\/images\/OptiDiscs_large5.GIF\" alt=\"\" width=\"540\" height=\"405\" \/><\/p>\n<p>Tom Moody, <em>OptiDisc<\/em>, 2005<\/p>\n<blockquote><p>Dyer describes the way that affective codes work \u201cat the level of sensibility,\u201d<sup>[17]<\/sup> by which he means, \u201can affective code that is characteristic of, and largely specific to, a given mode of cultural production.\u201d<sup>[18]<\/sup> Non-representational codes, for Dyer, do have iconic resemblance, but it operates at the level of \u201cbasic structuration.\u201d<sup>[19]<\/sup> The patterns of the artwork are analogous to the physiological patterns of sentience in the viewer.<sup>[20]<\/sup> Engaging the viewer\u2019s perceptual system directly \u2014 within the codes and conventions of online production \u2014 <em>OptiDisc<\/em> is very present, functioning more like a felt sensation than a merely visual observation.<sup>[21]<\/sup><\/p>\n<p><a href=\"http:\/\/artandeducation.net\/papers\/view\/14\">artandeducation.net, The Affect of Animated GIFs (Tom Moody, Petra Cortright, Lorna Mills)<\/a><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Tom Moody, OptiDisc, 2005 Dyer describes the way that affective codes work \u201cat the level of sensibility,\u201d[17] by which he means, \u201can affective code that is characteristic of, and largely specific to, a given mode of cultural production.\u201d[18] Non-representational codes, for Dyer, do have iconic resemblance, but it operates at the level of \u201cbasic structuration.\u201d[19] [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[72,351,6],"tags":[],"class_list":["post-4782","post","type-post","status-publish","format-standard","hentry","category-hatte-sie-es-gewusst","category-ich-weiss-nix","category-kunst"],"_links":{"self":[{"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=\/wp\/v2\/posts\/4782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4782"}],"version-history":[{"count":3,"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=\/wp\/v2\/posts\/4782\/revisions"}],"predecessor-version":[{"id":4785,"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=\/wp\/v2\/posts\/4782\/revisions\/4785"}],"wp:attachment":[{"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4782"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.bewegteflaeche.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}